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Collection of Vintage Goat Cliparts (49)
Looking for Vintage Goat Cliparts? Here you will find a carefully collected gallery of free images in high quality. Each Vintage Goat Cliparts can be downloaded for school projects, presentations, websites or creative designs. Need a custom image? Try our free image generator. These cliparts are free for personal use. Please read the full terms of use.
An organized selection of vintage goat pictures emphasizing clean edges and balanced contrast, easy to combine into banners or certificates.
The image is a black and white line drawing of a goat. The goat is standing on all fours and is facing towards the right side of the image. It has long, curved horns that are pointed upwards and curved at the tips. The horns are long and pointed, and the goat's body is covered in shaggy fur. Its head is turned slightly to the side, and its eyes are looking towards the left side. The background is plain white.
A charming antique goat card-likely from a 19th-century educational or trade card series-with hand-colored detail and bold numbering.
The image is an illustration of a group of goats standing on a rocky cliff overlooking a body of water. The goats are of different colors - brown, white, and black - and are standing on the edge of the cliff with their heads turned towards the right side of the image. The cliff is covered in greenery and there are mountains in the background. The sky is blue and the water is calm, reflecting the colors of the sky and the mountains. The overall mood of the illustration is peaceful and serene.
The image is a black and white line drawing of a goat standing on a patch of grass. The goat is facing towards the right side of the image and appears to be standing upright with its head turned slightly to the left. It has a long neck and a pointed horn on its head. Its body is covered in small, speckled spots, and its legs are slightly bent at the knees. The background is plain white, making the goat stand out.
The image is a vintage illustration of a mountain goat standing on a rocky hillside. The goat is facing towards the right side of the image and appears to be looking off into the distance. It has two large horns on its head and a long, curved body. Its fur is dark brown and its legs are short and stubby. The background shows a mountain range with snow-capped peaks. The illustration is done in a realistic style with detailed shading and texture.
The image is a black and white line drawing of two goats standing on top of a donkey. The donkey is standing on its hind legs with its front legs stretched out in front of it. The goat on the left is standing with its head turned to the side, looking towards the right side of the image. It has long, curved horns and appears to be looking towards something in the distance. The background shows a fence and trees, suggesting that the goats are in a wooded area. The image is hand-drawn and has a sketch-like quality.
The image is a black and white illustration of a goat with long, curved horns. The goat is standing on all fours and is facing towards the right side of the image. It has a long, shaggy coat of fur covering its body and legs. The horns are curved and point upwards, and the goat's head is turned slightly to the side. The background is a plain beige color, and there is text above the goat that reads "Fig. 4. IBEX."
The image is a black and white illustration of a deer standing on a rocky hillside. The deer is facing towards the right side of the image and its head is tilted upwards, as if it is looking upwards. Its antlers are curved upwards and its body is covered in fur. The background is blurred, but it appears to be a grassy field with a few rocks scattered around. The illustration is titled "F.S. Markhor (Cepus albicornis) after Cassell" and is attributed to the author.
A beautifully preserved antique card featuring a hand-colored donkey, marked with the number 48 in red ink.
The image is a black and white line drawing of a goat's head. The goat has two large, curved horns that are pointed upwards. The horns are curved and have a rough texture. The head of the goat is facing towards the right side of the image, with its eyes looking directly at the viewer. The background is plain white. The image appears to be a sketch or engraving.
The image is a black and white line drawing of a goat standing on a grassy field. The goat is facing towards the right side of the image and appears to be standing upright with its head turned slightly to the left. It has a long neck and two small horns on its head. Its body is covered in fur and its legs are slightly bent at the knees. The grass is tall and green, and there is a small patch of dirt on the ground next to the goat. The background is plain white.
The image is a black and white illustration of a wild boar. The boar is standing on all fours with its head down and its body facing towards the left side of the image. It has two large horns on its head and a long, shaggy coat of fur on its back. The fur appears to be shag-like and has a rough texture. The background is a beige-colored paper with a repeating pattern of small stars. The illustration is done in a sketch-like style with thin lines and shading.
The image is a black and white line drawing of a goat. The goat is standing on all fours with its body facing towards the right side of the image. It has two long, curved horns on its head and a small nose. Its body is covered in fur and its legs are slightly bent at the knees. It appears to be standing on a patch of grass. The background is plain white.
A beautifully detailed antique-style goose print, complete with shadow and bold red numbering-perfect for nostalgic displays or teaching aids.
The image is a black and white illustration of a sheep. The sheep is standing on all fours and is facing towards the left side of the image. It has a long neck and a pointed head. The body of the sheep is covered in a pattern of lines and dots, which are arranged in a grid-like manner. The lines are numbered from 1 to 9, indicating the different parts of the body. The background is a light grey color with a repeating pattern of small circles. The overall style of the illustration is simple and minimalistic.
A 19th-century-style engraved illustration of a robust, wool-rich sheep standing in pasture-showcasing fine linework and realistic texture.
The image is a black and white sketch of a cow and a cat. The cow is facing towards the left side of the image, with its head turned slightly to the right. It has two large horns on its head and is standing on a patch of grass. The cat is sitting on the edge of the cow's neck, looking up at the cow. The background is blurred, but it appears to be a grassy field. The sketch is done in a realistic style, with careful attention to detail in the cow and the cat's fur.
The image is an illustration of a mother hen and her chicks. The hen is standing on a patch of green grass with a few chicks scattered around it. The mother hen is brown with a red comb on her head and a black body. She is facing towards the left side of the image and has a large, pointed beak. The chicks are yellow and brown in color and are standing on either side of her. One of the chicks is black and is walking towards the mother hen. The background is white. The illustration is done in a realistic style with detailed shading and texture.
The image is a black and white illustration of a sheep standing on a grassy field. The sheep is facing towards the right side of the image and appears to be standing upright with its head turned slightly to the left. Its body is covered in shaggy wool, which is a type of sheep's fur. Its eyes are dark and its ears are perked up, giving it an alert and curious expression. The grass is tall and green, and the background is plain white. The illustration is done in a sketch-like style, with thin lines and shading to give it a realistic appearance.
The image is a black and white illustration of three birds sitting on a branch with the word "LOVE" written in capital letters above them. The birds are facing each other and appear to be silhouetted against a white background. The branch they are sitting on is thin and has a few twigs and branches scattered around. The overall style of the illustration is simple and minimalistic.
The image is a vintage illustration of a mountain goat standing on a snowy mountain. The goat is facing towards the right side of the image and appears to be looking off into the distance. It has a dark brown coat with a hint of brown on its back and legs. Its horns are curved and pointed, and its eyes are dark and alert. The mountain is covered in snow and there is a blue sky in the background. The illustration is done in a sketch-like style, with detailed shading and texture.
A finely detailed 19th-century line engraving of a long-haired goat with a collar and bell, standing alert on grassy ground.
A classic engraved illustration of a mature goat, rendered with meticulous line work to highlight its rugged coat and distinctive horns.
A beautifully rendered 19th- or early 20th-century goat print, likely from a children’s learning set or trading card series.
A classic 19th-century engraved goat illustration, rendered in fine line work on textured antique paper.
A finely detailed 19th-century-style engraving of a domestic goat, showcasing its shaggy coat, alert posture, and traditional collar with bell.
A finely detailed pen-and-ink sketch of a sturdy, woolly goat-perfect for illustrating rural life or animal anatomy.
A finely rendered watercolor depiction of a shaggy, horned goat in side profile, showcasing natural texture and expressive detail.
A hand-painted watercolor of a wild goat, showcasing its rugged build, long beard, and expressive stance on a patch of green earth.
A playful Victorian-era print showing a well-dressed dog confidently riding a leaping goat, with floral accents and pastoral scenery.
A detailed vintage-style woodcut showing a majestic adult goat standing protectively over a relaxed kid on grassy ground.
A striking vintage-style engraving of a majestic goat, showcasing intricate fur texture, expressive eyes, and elegantly spiraled horns.
A playful, stylized ram stands proudly on a rocky outcrop-perfect for teaching animal anatomy or adding charm to children’s books.
A stylized line drawing of a goat with prominent horns and textured wool, rendered in bold black ink on white background.
A minimalist yet expressive depiction of an ibex, featuring bold outlines, warm earth tones, and stylized horns.
The image is a cartoon illustration of a goat. The goat is light blue in color and has two large horns on its head. It has a round face with big, round eyes and a small nose. Its body is slender and its legs are short and stubby. It is standing on all fours with its front legs slightly apart. The background is white.
The image is a black and white line drawing of a goat. The goat is standing on all fours and is facing towards the right side of the image. It has two large horns on its head and a small bell hanging from its neck. Its body is covered in fur and its legs are slightly bent at the knees. The background is plain white. The image appears to be a sketch or illustration of the goat.
The image is a cartoon illustration of a white goat with two large horns on its head. The goat is standing on all fours and is facing towards the left side of the image. It has a round face with big, round eyes and a small nose. Its body is slender and its legs are short and stubby. It appears to be standing on a white background.
A playful, retro-style logo for “Old Goat Races,” featuring a determined white goat with bold yellow horns and a racing harness.
A majestic male Alpine ibex strides across rocky slopes, while a younger ibex watches from behind-classic natural history art by J. Smil.
A classic woodcut-style depiction of an adult goat standing protectively over a resting kid-evoking pastoral simplicity and timeless charm.
A bold, linocut-inspired goat stands silhouetted against a warm gradient sunset, nibbling foliage in a timeless, artistic composition.
The image is a rectangular metal sign with a blue and white checkered background. On the left side of the sign, there are three goats peeking out from behind a wooden fence. The goats are white with long horns and are looking directly at the camera. The sign has a rustic, vintage feel to it. The words "Nice Butt" are written in a cursive font in the center of the image.
The image is a portrait of a mother goat and her two young lambs. The goat is standing in the center of the image, with its head turned slightly to the side. It has long, white fur and two large, curved horns on its head. The lamb on the left is slightly smaller and has a fluffy white coat. The background is a light grey color, and the overall mood of the portrait is peaceful and serene. The image has a dreamy, ethereal quality to it.
The image is a cartoon illustration of a goat standing on a grassy field. The goat has a long, curved horned head with two large, pointed horns on top. It has a small, round face with big, yellow eyes and a small nose. Its body is white and fluffy, and it is wearing a brown leather harness with a yellow rope attached to it. The harness is attached to a wooden post on the left side of the goat's body. The background is a light green color, and the goat is standing on all fours.
The image is a black and white illustration of a goat's head. The goat has long, shaggy hair that is flowing in the wind. Its horns are curved and point upwards, and its eyes are looking off to the side. The illustration is done in a sketch-like style, with bold lines and shading to give it a realistic appearance. The overall style of the illustration is simple and minimalistic.
The image is a collection of 10 vintage goats in different poses. The goats are arranged in a grid-like pattern, with each goat standing on a rocky hillside.
The first goat on the top left is a dark brown color with long, curved horns. It is standing on all fours, with its head turned to the side and its body facing towards the right side of the image. The second goat is a light brown color, with a white body and long, pointed horns. The third goat is white with a black head and neck, and it is standing in front of a white background. The fourth